Convention and Beyond

Convention excuses us to mentally slumber while still allowing raw emotions to gurgle up.  We emote while the trappings of con-ventio (Latin for with agreement) organize and arrange how we make sense and reflect on these emotions.  Convention provides a scenario or a drama that plays itself out in a predictable, time-honored, public-sanctioned path (patho-pathos) that accounts for and measures radical interruptions of exteriority.  Emotions (from Latin exmovere – to move out) move us and stir us.  They rouse us from our sleep, our gravitational heaviness.  They demand a response.

We are historical beings not just beings with historical facts (i.e., The Civil War ended in 1865).  We sleep together oh wonderful humans!  We dream insentia, in our absence.  We always elude the lucid, the interrupting (radical) beyond of other (alterity), the profound emotion with our dreary, repetitious enumerations.  We help each other sleep in our shared signs, our flag waving patriotism, our “knowing” gossip laden tribes, our righteousness in the face of “evil”.  We dream in the drunken, inebriation of our idolatrous universal.  This is what it means to be historical beings.

Our historical-ness makes us old.  As we get old, we live in a place that no longer exists (if it ever did) and thus we live in our absence.  It becomes embarrassingly noticeable as we get “older”.  We are not quite “there”.  We live some siren song of the past and only when we bump into a wall in our night-ness do we raise our heavy brows momentarily.  The pleasant surprise of a delectable new taste gets reduced to a bland diet of sustenance.  Passion and sensuality become something that happened in the “good ‘ol days”.  Photographs freeze perpetually the “once when I was”, the “used to be”, the “at one time”.  We sink in rigor mortise that reaches out well ahead of our merciful death.

Religion seeks to capture, dream away, our death as well but the grim reaper is wilder than our historicality.  Our convention pales in the face of that moment to come when our most glorious or hideous, slumbering collective imaginations (image-ings) no longer offer us solace but pull us into a radical vortex, a neuter, a thing that can’t be dreamed away.  Truly, death comes mercifully to the “old”.

When death comes to the young, the future, the yet to be, we are thrown back upon ourselves, we feel strong emotions and we must co-invent (convention) a reason, a purpose that justifies, venerates, martyrs, placates (holds the place of) the loss until the emotion can subside and we can return to the leveling everydayness of our dreams.

My friends we are all co-geniuses (co-originators) of a place to dwell.  A place that gives meaning, explanation and consolation.  Alas, all our places get old and sink away, die and are forgotten.  The young must continually re-invent, re-wrest truth-dreams, spruce up the ‘ol dwellings until they too move to oblivion.

Such strong undercurrents pull us under and under-mine our confidences.  Is this a sinister attempt to toy with us?  I think not.  I think everything must be taken as a wake up call to our soul.  We must shed the weight of sleep, rouse ourselves and look as newborns into the face of profundity.  We must throw off the weightiness of our conventional, historicising slumbers and welcome the radically new, the other that is beyond us.  We must welcome the stranger as strange, as wild, as someone with news that grabs us and questions us.  My friends, death is our best clue that we are yet babes looking with fascination into eternity – not endless co-leveling-dreaming but horizons yet to be, radical otherness beyond our collective imaginations, a language yet to evolve.  These emotions, sensations, loves that momentarily awaken us are hints of what we have yet to learn.  They may question and even topple our conventions but rise from your ashes in a sun-dewed, new day that allows only the eyes of an infant.  The distant call is to grow beyond ourselves, our desire to sleep (sink) together and welcome that other that desires our attention for the first time.

 

The Love That Never Was

Who is this ghost that moves through my bones,

This ghost that stirs my entrails?

A flavor of something forgotten that never was.

I long for a love that never was and never will be.

My securities hinge on the unseen,

They long for the unborn.

My fears paint this phantom with shades of terror.

What threatens the center of my universe with its dark vortex?

What shakes my soul with its beckoning call?

The promise of new love is like the threat of dying of thirst in the desert when the coolest of lakes is always just over the next dune.

Only love can entice the old soul back into the light, into the forgetfulness of youth, into the threat and promise of the new.

And yet, love musingly hides.

It plays with our affections and disappears.

Its most erotic moments are as real as the sun.

When it leaves it ushers in the dark night of the soul.

It creates day and night all the while no one knows it.

It makes the young old and the old young.

It wettens the driest, most parched spirit with its juices and then returns its voluptuous, paradismal creation to the desertous night.

Oh ghost of my longings,

Oh breasts from which I long to feed,

How can you define my day and night,

My years from birth to death,

And yet – I never knew you?

Oh ghost from whom my soul rises and falls,

Oh phantom that plays in and through all my exteriorities and creates my interiorities.

Love is the ghost that never was but always will be.

 

Charmaine

Something mighty moves through flesh and bone and star and galaxy.

Whatever it is that fixes the stars in place also fixes the one true love in our hearts.

And if that one true love does not recognizes us

We live in the shadow of tragedy

We die in the moment that never was

 

And yet beauty and truth

With a still, small voice call us

They comfort us

They entice us

And we have no choice but to live

Live in beauty and truth

And yet die without our one true love

Such a life is hard to overcome

Some cruel trick

Some other movement that can’t be moved to

Silence

Moments

 

Our days are filled with beauty and truth

And yet some movement that can’t be moved

Moves in our souls

And yet some movement that can’t be moved

Moves in our souls

Again for this life

For these moments

That fill us

And she walks past me

Knows me not

Cares not

 

But universes speak from my heart to her

Galaxies spin for her

Yet she knows me not

She is not

I have become the unmoved mover

My spirit moves over the face of the void.

 

Something beyond her calls, beckons

But that something can’t be kissed

Can’t be touched or touch back

Like only she could

She marks the place of my birth and my death and all the moments in between

And she knows not.

My place, she, knows me not

And yet speaks with the beauty of the universe

And the truth of love.

These things only fill her absence.

 

Ode to the love that is not

She toils in the ocean of my love.

And yet, she knows not.

The stars proclaim our love.

And yet, she cares not.

The past speaks synchronicity to our hearts.

And yet, she listens not.

Our future boils with possibility.

And yet, she dares not.

Our hearts are wed.

And yet, she consummates not.

She has become the love of my life, my soul mate.

And yet, she is not.

My heart cries for what is not.

My soul languishes for what is not.

My body yearns for what is not.

What is, is what is not.

 

Moon-Wet Dreams

My heart leaps with all deer

Upward towards your spirit star

The world bathed in lunar night

Afire with ancient light

This love that cries divine

That first writes “beyond”

Such grace my fawn

Enchanted glide o’er all that’s earth

We dance together

Two deer in love

Enchanted thrusts in moon-wet vulva

My emerald soul rests quietly

In you’re glimmering diamond spirit

Your diamond star

My emerald earth

We two deer flying between

In our dreams…

 

Charmaine 2

Was it last February?

I think it was.

A year of moments

In the fullness of her absence.

 

She pinned me against the wall

In that parking garage

And kissed me as if the next moment she would die.

I watched as she drove the wrong way out of the garage

And in that mystic fog, drove out of my life.

 

And, yet a year later

I walked down those stairs that lead to our kiss

Behind a shadow that moves from the fog

At the foot of the stairs

I call out, “Hey Charmaine”

She freezes for a moment of eternity

Finally, she turns and devours my sight

She compliments my long hair

I tell her “thanks”

And once again we are enveloped by that mystic fog

 

I cry once again in the face of the stars that night

I thought I was over her, I wanted to think I was

But once again the silence of the universe

Reminds me that I have no other choice but to love her

And once again I curse her celestial beauty

That gave me a love that can’t be

Except in a mystical fog.

 

The Gaze of Spring

Spring returns in your eyes.

Youth springs eternal in your gaze.

Your waters ever flow through my soul.

Watering my spirit with your beauty (body).

You see yourself anew in my eyes.

You scare yourself again in my gaze.

Who looks at you with love’s eyes?

Is it someone you knew long ago or someone you never knew but needed to?

Love stirs the soul beyond itself.

It rouses the canvas for which it desires to paint.

It empties its deepest content on the blank tablet of the other.

It holds open the world to the new and the old.

It marks time with its contour.

Ghost Love

My love lies awake, alone in her bed.

She touches the body I long to touch.

She moans the cry I long to give.

She rests quietly in my invisible arms.

My seamen wets her bed.

My lips caress her head.

My dreams touch her soul.

They quake her body.

They move through her moist crevices.

I reach her tendermost desires.

I fill her pulsating lips.

We lay together, alone and naked.

We share our bodies.

We share our spirits.

We wed as one.

But longing is not yet loving.

Yearning is not yet erotic release.

My love lies awake, alone in her bed

And I lie with her, naked in my dreams.

 

 

To Barbara

Her tan, naked body

Stretches with pangs of desire

And rises up to meet me

I fall into her pools

We consume each other in our pleasure

We abandon ourselves to our bliss

Our spirits blend and bend to light

We shine in our earthy, pagan glory

And breathe our dense waves

Of orgasmic release into each other

We convulse with holy, naked vulnerability

Awakened to the moment that spawns all poems

And wet our bodies

With birth of the stars once again for the first time.

 

 

Barbara

One Boulder morning my Jewish girlfriend and I reflected,

What about those dark abodes of Eastern Europe,

Those Ghettos created from hatred and jealousy

Where history demands and requites bigotry

Where god redeems those that snarl and howl their emptiness?

 

And what of my Southern escape

Where decades of smallness towards blacks has smudged theirs hearts

With the darkest and thickest soul sludge?

Petrified rancid bigotry.

Their children and their god

Pour that bitter goo over decades and generations

And they live in that cesspool

With a pride that can’t be fathomed in it’s howling emptiness

And desolate swampy history.

They sink and bask in their long decaying demise

And every breath they take reinforces that humanitarian devastation.

 

And what of the Kennedy?

Who was he?

What moved him?

At the pinnacle of this hatred and bigotry

His knife cut through that dark sludge,

This knife that cut him to pieces.

And yet in the face of that Goliath

He went to their sunken core and demanded by law that their children play and learn with blacks.

What ideals in the face of democratic butt kissing causes a man like this to change the tide of history?

And was he the last of his kind?

Where are those idealists that don’t dream but stand firm against the dark tide of history

And rain fresh water into polluted, cultural soul sludge

So that flowers can once again sprout in that dark swamp

And once again, yet for a while, humanity can again be redeemed?